$30 €30 VOUCHER: 40DLOI87
Enter code at checkout. Ends 11.59pm 1st Nov. Not valid on Soundpacks or 2024 Releases / Upgrades. Excludes other discount codes.
$30 €30 VOUCHER: 40DLOI87
Enter code at checkout. Ends 11.59pm 1st Nov. Not valid on Soundpacks or 2024 Releases / Upgrades. Excludes other discount codes.
Hohner D6s are getting quite rare, because of their delicate, high-maintenance mechanical nature. Over a 12 month period we extensively restored and then modified our D6, which was a nice example in decent working order before we even started. But to get these instruments functioning absolutely perfectly is a real labour of love.
As well as wanting to get it sounding perfect, we also needed to make a few custom modifications. To model the internal setup of the instrument, we added a direct XLR output to record each pickup separately, and an input to the D6 preamp in order to capture the EQ response.
The switching added for this output can be seen in the pictures above.
The main Instrument panel contains the traditional D6 rocker switches for setting the preamp and pickup phase positions.
In the lower half of the panel there are dynamic low pass filter and envelope controls, and the D6 mute slider.
Opening up the Clav preamp panel reveals a selection of controls not found on the hardware D6 ; pickup gainand pan knobs, as well as a direct out gain control.
The options panels provides full control over velocity curves and response, so you can tailor it exactly to your needs.
The Key-off level control is found here. There are also a selection of preferences for memory management, key range, font colour, etc.
The comprehensive effects section features Auto-wah, auto-pan, chorus, phaser, delay and convolution reverb with custom effects.
The wah-wah effect can be assigned to a MIDI controller, so you can use it with a pedal for ultimate realism.
In the lower section there is amp-simulation, EQ, overdrive and compression.
Sampling each pickup separately and bypassing the preamp means that the architecture of the Soniccouture Clav is very creatively flexible. As well as routing both pickups into the preamp as on the traditional instrument, it is also possible to have a clean, direct output, and to vary the level and panning of each pickup independently. The traditional Clav rocker switches then control the phase of the pickups.
Library Specs |
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24 Bit 48khz mono sampling |
9.6GB core library ( 5 GB with NCW compression) |
14,880 samples |
31 Velocity layers w/Intelligent round robin, switchable |
Modelled impulse responses of Clavinet D6 preamp /filters |
Detailed user velocity setup |
articulations; straight, mute, release, and mute release |
Separation of pickups with independent volume and pan. |
Keys + Sound Design Presets |
Kontakt Player Compatible |
This is a Kontakt Player instrument. This means that you do not need to own the full version of NI Kontakt to use it. It will run as a plug-in instrument in any VST/AU/RTAS/AAX/WASAPI,compatible host program or DAW eg: Cubase, Logic, Ableton Live, DP, Reaper, Pro-Tools. No extra purchase necessary.
System Requirements:
Windows 7 or higher (latest Service Pack, 32/64 Bit), Intel Core Duo or AMD AthlonTM 64 X2, 4 GB RAM (6 GB RAM recommended)
Mac: OS X 10.9 or higher, Intel Core 2 Duo, 4 GB RAM
Requires KONTAKT 5 or KONTAKT 5 PLAYER version 5.5 or later
A vintage Mk.1 Stage 73 electric piano captured in forensic detail.
A complete sonic exploration of the tines and mechanisms : Bowed, Plucked, Mallets and SFX push the limits of the sounds an electric piano can make.
Dusty and tatty, as a Wurli should be. And with a broken built-in speaker. So, we sampled that too.
The worlds' first synthesiser: 163 vacuum tubes power this 72 note polyphonic 500lb beast. Ethereal, ancient yet modern - the future sound of 1939.
A suite of five complete Kontakt player instruments :
Plucked Piano | Mute Piano | Bowed Piano | Mallet Piano | SFX Piano
One of the most enigmatic musical instruments of the 20th century, The Ondes Martenot was invented in 1928. Ghostly, languid, unmistakably French ; it has graced film soundtracks and avant-garde music for over 80 years.
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