Blog Menu

All

Interviews

KSP Scripts

Music Production

News

Tutorial

It would have been hard to believe that KSP would come along and enable us to be inventive  with the way samples & instruments behave, as well as the way they sound, but that’s what happened. We learnt to make GUIs that not only enable creative flow, but which visually evoke the magic of the instrument too.

Today the sampling industry is more exciting and vibrant than ever. We’re very proud to be a part of that, and to have assisted so many of you in making great music.We’d like to thank each one of you for your support, and we hope that the next 10 years is just as exciting for us all.

James & Dan

Download Abstrakt Vol.1

historis

Which may go some to explain why we hadn’t made one before. Plus, there were all those Hang drums, glass armonicas and the such-like to do first.

But, this year, we did. We spent some considerable time thinking about pianos, and looking for the right one to record – we thought about Bosendorfers and Faziolis a lot, but in the end we were drawn back to where many people begin (and end) with pianos – Steinway. A model D.

But aside from the complex, rich tone, we had another reason for selecting a Steinway piano. We had located, in the UK, a very rare thing indeed – a model D grand piano with MIDI (smaller steinways with MIDI systems are quite common, but few dare to besmirch a Model D in such a way). How did this happen? Apparently, sometime in the 1990s, a rich banker with far too much money decided he would retrofit a PianoDisc MIDI system to his Steinway. We felt strongly that with a MIDI playback system we would be able to create very precise, smooth velocity layers, consistent from key to key. We would also have a perfectly silent room when recording – no shuffles, coughs, sniffs from the player to listen out for and compromise the recording. It would also enable us to run the recording solidly all day and well into the evening with having to allow for the player to rest, eat and all those other annoying interruptions.

BRITISH GROVE STUDIOS, LONDON

Once we had the piano (now located in Giller Pianos Suffolk barn) – we needed a studio. Peter Henderson, our engineer for the project, had long been singing the praises of British Grove Studios in Hammersmith, West London – Mark Knopfler’s no-expense-spared exploration of how to combine the state of the art with the vintage. www.getmetaz.xyz A 48 channel Neve with rack upon rack of Prism conversion, in one of the cleanest sounding rooms we’ve ever experienced. But with 5 solid days recording time, it’s just a shame the rates weren’t particularly ‘vintage’.

The Kontakt Instrument

There will be two versions of this instrument – a full ‘Pro’ version with 6 mic channels, weighing in at 50GB on disc (compressed), and a smaller LE version with one or two mic channels. Both versions have 21 velocity layers, intelligent anti-repeat, and a full set of real sustain pedal samples. Available Q1 2015

UPDATE: Available now!

After many requests to update Geosonics with DAW-friendly automation parameters, and then some procrastination on our part – due to the size of that job – it has now been done.

So now you will get you a nice clean, labelled automation track in your DAW without any need for any additional fiddling around.

Maschine users will be pleased to hear that it is now very Maschine-friendly, with 9 character naming for parameters etc.

Registered Geosonics users can login and download it from their account > Updates

In other Geosonics news – I will be discussing Geosonics 2 with Chris Watson on Thursday 16th October after he performs at  A New Age of Surround Sound in Guildford, UK. More news when we have it..

We’re happy to release the instruments from The Attic, available as presets for both Maschine 1 and 2 users. These presets let you quickly call up any of the Attic synths (including all three Synthi variants) quickly and directly from the Maschine hardware – and of course, we’ve mapped all the major controls for each synth to the Maschine controller knobs for some ‘hands on’ fun.

The presets feature just the 10 main Attic Synths, not the 364 Kontakt presets included in The Attic Kontakt Player – with such hands on control you’ll want to create and save more of your own pretty soon. We’ve left the Sub-Type attribute empty so you can categorise your own presets, too (bass, lead, and so on).

We would have liked to have released them when The Attic was originally launched – however we were working with Native Instruments to try to iron out a small bug with the BANK naming in Maschine 2 – the Bank name appears as MASCHINE instead of ‘tHE ATTIC’. Unfortunately after all the trouble-shooting, this is something NI will have to work on fixing for a future update. This doesn’t change any functionality in practice, but we always strive for perfection. Stick to using the Mode/Types menu in Maschine 2 and all is well.

We’ve also taking advantage of a newer, simpler preset installation process in both Maschine 1 and 2, so you’ll be up and running in no time.

The presets can be downloaded free from the Updates Tab of your Soniccouture account.

The Attic Web Page